It's been a few weeks of intense activity. I have been down to London a few times to see friends, done a fair bit of socialising in Leamington and I have even done some of whatever the autumnal equivalent of spring cleaning is. Nic and I spent the weekend before last building Ikea shelves and doing a bit of an overhaul of the furniture and storage in the flat. As a result, I have a whole set of shelves just for shoes and I have more storage for bags and accessories and stuff. Everything just looks a lot neater and prettier. Of course, it means that I have more space for more stuff and I am valiantly trying to resist the urge to BUY ALL THE SHOES. So far I'm not succeeding (I bought some ankle boots today) so it's business as usual, really.
I have been doing my best to fit sewing in around everything else, and it hasn't been the easiest as work has been pretty busy as well. However, I found myself with a free evening a few weeks ago as Nic was out at a gig. I had been working from home that day, and the beauty of this is that with no commuting time, I can just switch my computer off at the end of the work day and switch my sewing machine on. Sometimes I am even able to cut fabric out during my lunch break, although I wasn't able to on this particular day. Even so, I had a new dress by bedtime, and what's not fun about that?
The dress in question is New Look 6776, which seems to now be out of print. I made this dress because how could I not when I saw how beautiful it looked on the pattern envelope:
LOOK AT HOW SASSY SHE IS IN THAT LILAC THING. I'm generally a fan of New Look patterns - they're excellent value for money and I have never had any issues with their quality and a lot of their patterns really are very lovely. But MAN, do you have to look past the photography. I'm halfway tempted to actually frame this envelope because her face is cracking me up so much.
I think the worst thing is the sash, though, and I think that's what her face is trying to tell us. Why would you do this to someone?
Admittedly, I have a prejudice against sashes. THIS IS WHY.
All of that said, the line drawings of this dress revealed its potential and I had the pattern in my stash. I have no memory of buying it so maybe two other New Look patterns reproduced, or I got it at a swap or something. I don't know. I was a little bit sceptical about whether this pattern would work on me because of the wide midriff - I'm still not convinced that they work on me. However, I liked the potential for playing with directional prints, so it seemed like a good match for this fabric, which I had bought in Abakhan on my birthday:
'Singin' the Blues' by Camelot Fabrics
I decided to go for view D of the dress but obviously without the sash. I also decided to wing it without sewing a toile. I didn't super love the fabric so I knew that in the unlikely event that it was a total disaster, I wouldn't be completely gutted.
I followed the instructions and the order for construction wasn't quite as I would have expected it but it worked out well. I had to do a little bit of unpicking because of the way the bodice is constructed, but even with that it all came together really nicely.
Ball and Chain dress - New Look 6776 worn with Red or Dead shoes
There are a couple of things that I really like about this pattern. Although I am not sure about the midriff band on me, I do love the way it's cut on the bias, as it gives you an opportunity to have fun with prints.
Here's a weird close-up of my bust and waist so you can see. I think it actually looks cooler from a bit further away, but there you go.
For view D, there is an extra pattern piece for you to cut some interfacing for the v-neck. It keeps it really nice and crisp. It sounds like such an obvious thing to do, but I've never seen it in another sewing pattern and I thought it was such a good idea! I love the skirt, which is a very pretty shape with essentially perfect pleats.
The pattern calls for a lapped zip, which I think is kind of unusual to see in sewing patterns now. I sewed a concealed zip because it's what I felt like doing. I like the way the herringbone design makes pattern matching pointless, but also effortless. Also, my god. No-one should have to see their own back. I look so fat from the back!
AND OH YES SHOES:
More sparkly shoes and I'm not even sorry. Woo-hoo!
I'm still deeply into listening to my Nashville CDs on repeat - Nic would be at the point of banning them, only I think he finds my terrible singing-along too tragic to be that cruel - and I had them cranked up loudly while I was sewing this dress. My current favourite is the duet between Rayna Jaymes and Luke Wheeler - Ball and Chain - hence the name of the dress.
I'm off to Glasgow tomorrow for a few days for work, so poor old Nic will get a bit of a break from the Nashville CDs this week!
Anyway, that's the craic from me this evening. Nic has just come home and he's looking some attention - talk about a ball and chain (lololololololol) so I'm wheels up and out. See you later!